One of twelve
projects at the Minciu Sodas
virtual laboratory.
Uses of Reasons for Thinking
Domains of thinking, and what in each domain is considered creative.
Sculpture,
surgery, music, programming, and other fields offer different understandings
of what is creative. We can develop an idea by expressing it in a
variety of media, such as a poetry, photography, or music, and learning
from the response of our audience. If we place our work in the public
domain, then we may also learn from our fellow creators. Andrius
Kulikauskas presented such a strategy for developing ideas at the Mannheim
Film Festival Coproduction Meetings as producer for Rimas Morkunas' documentary
film "Tomas". Of special interest to: Multitalented artists, publishers
for the public domain.
Share your creativity!
Here are three questions:
-
What is an area of life where you have a definite opinion as to what is
creative?
-
What is an example of something you think is creative in that area of life?
-
What is creative about it?
We are collecting answers to these questions, as well as other resources
on creativity, especially practical creativity. We welcome your submissions,
so long as you place them in the public domain, so that others are free
to copy them without asking anybody for permission. If you would
like to share your creativity in this way, please send your answers to
publicdomain@ms.lt Thank you! Andrius Kulikauskas
General Resources
What is Considered Creative?
Analogy-Making | Repeating
the Essence | Stimulating Thinking
| Setting Up Environment
General Resources
Join the "Discussions of General Creativity" mailing list lead by Robert
Alan Black and Charles Cave by sending an email with content SUBSCRIBE
CREATIVITY to the address LISTSERV@MAELSTROM.STJOHNS.EDU, and then replying
to the confirmation request. The mailing list is devoted to the recognition,
encouragement, application, and development of creativity, creative thinking,
and creative problem solving. The mail load is not too heavy and
there are helpful responses to questions raised. There is a list
archive. [http://maelstrom.stjohns.edu/archives/creativity.html,
9/99, Andrius Kulikauskas]
Nanyang Technological
University National Institute of Education Library lists several dozen
books at Creativity
and creative thinking : a select bibliography and the related list
A
select bibliography for the First Singapore Summer Institute.
It has an especially helpful list of websites for the program Thinking
Schools, Learning Nation as well as papers from the 7th
International Conference on Thinking, June 1-6, 1997, Singapore.
[http://libr21.ntu.edu.sg:8002/biblio/thinking/creativity.html#BM17, http://libr21.ntu.edu.sg:8002/biblio/sum1/inst98.htm#creative,
http://libr21.ntu.edu.sg:8002/resource/misc/think.htm, http://www.nie.ac.sg:8000/~wwwnie/think/index.htmlx,
Andrius Kulikauskas, 7/99]
The 8th International Conference
on Thinking was held July 4-9 1999, in Edmonton, Alberta, Canada. [http://www.thinkingconference.com/,
Andrius Kulikauskas, 7/99]
The University of Massachusetts at Boston has a graduate
program in critical and creative thinking, and its website lists theses
completed for the Masters of Arts degree. [http://omega.cc.umb.edu/~cct/,
Andrius Kulikauskas, 7/99]
What is Considered Creative?
Analogy-Making
Douglas Hofstadter,
author of Gödel, Escher, Bach: an Eternal Golden Braid, 1980, is the
leader of the Center for Research
on Concepts and Cognition at Indiana University. They are focusing
on emergent computational models of creative analogical thinking and its
subcognitive substrate, fluid concepts. They have developed the computer
programs Copycat and
Tabletop to model the interplay between concepts and perception in the
course of analogy-making. They are developing a Letter
Spirit project to model the perception and creation of style in the
world of letterforms. Douglas Hofstadter and the Fluid Analogies
Research describe their work with computer programs to model creativity
and analogy-making in their book Fluid
Concepts and Creative Analogies: Computer Models of the Fundamental Mechanisms
of Thought. [http://www.cogsci.indiana.edu/, Andrius Kulikauskas, 7/99]
Repeating the Essence
Field: Cooking. Example of creativity: In Uzbekistan,
I watched attentively as a rather good cook made pliova. Several
days later I recreated in my memory the entire sequence of this dish and
with great passion took to making it. In order to understand if I
made it well, I gave it to some of my friends to taste. They were
amazed - the pliova I made was no different from that of the good cook.
What
was creative? I was able to, from memory, make exactly the same
dish. [8/99, Rimas Morkunas]
Field: Fashion/marketing. Example of creativity: I
created a sweater that copied part of an existing sweater. The stitch
and the button, but changed it from a peplum into a classic cardigan shape.
I was very successful in this form. I then changed the stitch and
that
version with a new stitch was even more successful than the original knock-off.
What was creative? I was creative in the marketing aspect of the
sweater, because I realized what made it a commercial success and repeated
that in the second, third, etc. versions. [10/99, Joyce Searls]
Stimulating Thinking
Field: Film. Example of creativity: The film
"Resurrection" affected me. On first impression it's an ordinary
film about everyday life, but the acting, their persuasiveness intrigued
me, and I watched. Suddenly the plot took an unexpected turn as the
characters ride in a car and one of them dies. The execution of the
film techniques is so masterful that I can call it creative expression
of the highest quality. It would seem, that this film was about two
ordinary people, but within that very ordinariness are preserved the deepest
layers of a person's essence. A film about faith. What was creative?
First, the well told story, second, the very well chosen actors, third,
watching this film it does not stop with the end, but leaves you with a
giant dot-dot-dot, you think about faith. It reveals the essence of man,
and this essence is the search for one's nature, and one's nature is to
believe. [8/99, Rimas Morkunas]
Field: Literature. Example of creativity:
In the Old Testament, the story of Cain and Abel. It would seem that
Abel is this God fearing person, he sacrifices for God's behalf, and God
sees this and rejoices. Whereas Cain like a small child is envious
of Abel, kills him. I immediately feel an antipathy towards Cain
and want God to punish him. God, upon seeing this evil deed, does
not punish Cain, but sends him off to wander through the world, and if
anybody murders Cain then their descendants will suffer for seven generations.
Here for me there arises the great question, why? Inside of me it
raises discussion, inner creativity. What was creative? It
raises a question which we must answer and figure out the story. [8/99,
Rimas Morkunas]
Field: I think the most creative work of all is raising children.
Example of creativity:
1. What are this child's gifts? Where do his interests
point?
2. What is extremely difficult for this child? Is it something
we should work to remediate or is just something he just won't choose to
do?
3. If you are religious, you ask, "For what purpose did God send
this child into the world? How can I best prepare this child for whatever
his divine call is?
4. How can I bring joy into my child's life? How can I
provide opportunities for development? How can I make the best use
of the limited resources at my disposal?
What was creative? You ask yourself so many questions.
[11/99, Ruth Demitroff]
Setting Up Environment
Field: I think the most creative work of all is raising children.
Example of creativity: ...Success is when your child has enough
skills and confidence to leave you and become the person he dreams of being.
What was creative? ...... And as the child grows older, you give
him more and more control over his decisions and give him as safe an environment
as you can in which to experience success and failure. [11/99, Ruth Demitroff]
Field: Working with animals. Example of creativity:
Allowing older dogs to train younger dogs through positive reenforcement.
I get all the dogs together and I give the older dogs the command to stack.
The younger dogs see the older dogs stacking properly and getting the treat.
They imitate the older dogs to get the same reward that the older dogs
are getting. So I don't actually train them, the older dogs train
them, they learn by example. What was creative? Setting things
up so they learn by example. Most people train dogs on an individual basis.
By forcing the dog to be trained, they are not so happy to compete. My
dogs are happy to be doing it in the ring because they are doing it on
their own, and pleasing me, the alpha-being. [9/99, Charleen
Powell, cppugs@aol.com]