Mintys.JosephGoguen istorija
Rodyti nežymius pakeitimus - Rodyti galutinio teksto pakeitimus
2018 birželio 30 d., 16:36
atliko -
Pridėtos 1-2 eilutės:
Žr. [[Pasakojimas]]
Ištrintos 18-19 eilutės:
See http://www.cs.ucsd.edu/users/goguen/papers/story.html
2018 birželio 30 d., 16:35
atliko -
Pakeistos 1-18 eilutės iš
Institutions, Interfaces, Political Rhetoric
į:
Institutions, Interfaces, Political Rhetoric
http://groups.yahoo.com/group/livingbytruth/message/365 October 13, 2003]
Andrius, Id like to disagree radically with your claim that there are very
few cognitively genuine structures. Just now Im working with a student on
structures for computer generated multimedia events, and also on a course
on how music works in anime (Japanese animation) and other multimedia works,
and have been strongly struck by the enormous variety of possible structures.
This is not just some vague intuition, followed by making a list of what
intuition came up with, but an empirical investigation of actual works, using
formal notation, and asking the hard question of what it would take to in fact
generate that work. The problem is that there are many different threads
that hold these works together, including narrative, metaphor, image, color,
texture, pace, and more, all interleaved in a most complex way; even the
structure of narrative is much more complex than you might at first imagine.
See http://www.cs.ucsd.edu/users/goguen/papers/story.html
http://groups.yahoo.com/group/livingbytruth/message/365 October 13, 2003]
Andrius, Id like to disagree radically with your claim that there are very
few cognitively genuine structures. Just now Im working with a student on
structures for computer generated multimedia events, and also on a course
on how music works in anime (Japanese animation) and other multimedia works,
and have been strongly struck by the enormous variety of possible structures.
This is not just some vague intuition, followed by making a list of what
intuition came up with, but an empirical investigation of actual works, using
formal notation, and asking the hard question of what it would take to in fact
generate that work. The problem is that there are many different threads
that hold these works together, including narrative, metaphor, image, color,
texture, pace, and more, all interleaved in a most complex way; even the
structure of narrative is much more complex than you might at first imagine.
See http://www.cs.ucsd.edu/users/goguen/papers/story.html
JosephGoguen
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