[[Padalinimai]], [[Padalinimų ratas]], [[Trejybė]], [[Ketverybė]], [[Požiūriai]], [[IrDu | Veiksmas +2]], [[Požiūrių sudūrimas]], Išvertimas

[[Padalinimai]], [[Padalinimų ratas]], [[Trejybė]], [[Ketverybė]]

'''Examples'''

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'''Krypties apvertimas'''

See also: {{Twosome}}, AlgebraOfViews, InversionEffect, [AddTwo operation +2]

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The reversal effect is the idea that, upon reflection, the direction of a representation of the {{Twosome}} changes. So, for example, the perspective of free will leads into the perspective of fate, and not the other way around. However, there is a reversal effect: Thinking about fate leads to thinking about free will, and not the other way around.

The reversal effect may be related to the switching around of a composition. For example, we would like to switch from ''a bounded view of an unbounded view'' to ''an unbounded view of a bounded view''.

This might also relate to the relationship between {{Structure}} and {{Activity}} as given by the [AddTwo operation +2].

Lietuvių kalba skiria tarp esančiojo ir būnančiojo. Esantysis yra (ar nėra) tam tikrose, vieningose aplinkybėse, o būnantysis jose pabūna, užtat tai nevieningos aplinkybės. Esantysis, tai griežtas klausimas: yra ar nėra? O būnantysis, tai minkštas atskymas - yra kaip yra. Esimas - tai esatis, kaip nuoroda, o buvimas - tai būtis, kaip būsena. Esantysis yra Dasein, o būnantysis yra Das Man. Panašiai, ispanų kalba skiria estar ir ser.

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===Examples===

Some examples of the twosome: Doubt and Belief: Peirce, Trees: Genesis, Reality: Levi-Strauss, Data: Beneviste, Things: Plato, Creation: Theodoric, Stimulation: Spencer, Salvation: Hinduism, Representation: Locke, Reference: Buddhism, Permanence: Buddhism, Mystical Experience: Buddhism, Irony and Romance: Frye, Identity: Schelling, Sources of Information: Hume, God: Hinduism, Communicational Scepticism: Taylor, Complementary Truths: Fromke, Perception: Spinoza, Judgments: Mansel, Reflections: Marcel, Reading: Frye, Our Divine Calling: Fromke, Synthetic and Analytic: Kant, Judgments: Kant, Change: Kant, Time and Space: Kant, Representations: Kant, God Proves that He Exists, Symbolic Representation: Cassirer, Structure: Saussure, Worship: Kierkegaard, Virtue: Lao Tzu, Speech: Greimas, Outward and Inward Man: Watchman Nee, Concreteness and Ultimacy: Tillich, Faith: Tillich, Experience: Kant

===Discussion===

{{Andrius}}: ChrisopherLangan writes of Syndiffeonesis, ''difference-in-sameness'', that when things are different, then that implies that there is a reality in which they are the same, as they are comparable. I think this is very noteworthy, however, I think it still constitutes a switch in direction, it is not the straightforward direction. It requires a mental leap.

Immanuel Kant, [[https://en.wikipedia.org/wiki/Critique_of_Judgment | Critique of Judgment (Wikipedia)]] The Critical project, that of exploring the limits and conditions of knowledge, had already produced the Critique of Pure Reason, in which Kant argued for a Transcendental Aesthetic, an approach to the problems of perception in which space and time are supposed not to be objects but ways in which the observing subject's mind organizes and structures the sensory world. The end result of this inquiry is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior.
* The first position, of causal determinism, is adopted, in Kant's view, by empirical scientists of all sorts; moreover, it led to the Idea (perhaps never fully to be realized) of a final science in which all empirical knowledge could be synthesized into a full and complete causal explanation of all events possible to the world.
* The second position, of spontaneous causality, is implicitly adopted by all people as they engage in moral behavior; this position is explored more fully in the Critique of Practical Reason.

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